A force that sons everything in its path.
Continuing on my path of being iconoclastic and obnoxious, I thought I'd take a look back at one of my favorite albums, that widely acknowledged classic, Press Play. Before I do that, though, some comments on the Soulja Boy record. If you don't count the crappy intro, I'd argue that it starts with the best 1-2-3 punch of any album all year. Namely, 'Bird Walk,' 'Turn My Swag On,' and 'Gucci Bandana.' (Although the mixtape version of 'Gucci Bandana' is way better.) But the album rapidly goes downhill from there. 'Booty Got Swag' is particularly bizarre, this weird fusion of booty obsession and swag obsession (how does a booty have swag?), 'Whoop Rico' is a sad 'Knuck If You Buck' ripoff, 'I Pray' is laughable ("with. every. move. I. make. I. make. a. lot. of. people. mad/ but. with. every. move. I. make. I. make. a. lot. of. people. glad"), one of those "why does everyone hate on me" songs all crappy rappers make, there's a bad song about his new shoes on here, a shitty song for the preteen ladies, some unlistenable kiddie-whisper-rap with the guys who made "Lookin Boy," and a ton of other filler. Do download the mixtape versions of 'Shopping Spree' and 'Gucci Bandana' though.
- "maaaaan... I extend credit to a vagabond!"
- "America, fall back, you can't stop me
- Got a thing for pigeon toed chicks who walk knock-kneed"
- His kitchen is chrome
- He likes to peep the moon through his retractable dome
- What they thought they assassinated was only a Puffy clone
- He's a Bluetooth nigga but he don't got any cavities.
- He's a Bad Boy but far from a Detroit Piston.
- You're not focused enough, you're not listenin. [To his brilliant lyrics.]
- You need to slow down, hold up like kickstand. (What?)
- He's got it wrapped like cocoons.
- He pops shit like needles in cow manure balloons.
If I take you out on a date
You'll feel real special and great
So why don't we formulate a plan
to meet up at a special place?
He also says that "nothin, can compare, to fuckin, fuckin my dear" and offers to lick the girl's "sweet cherry pill." Great. But after all that amazingness, there's a whole suite of r&b songs on love and Diddy's problematic relationship with that bitch he finally broke up with last year that shits on both (a) all commercial r&b and (b) a certain other producerterntrapperterntsanger's breakup album. You know, of course, 'Last Night,' or the badly truncated version they put out on the radio, but have you heard the Brandy-featuring drums and bass tour de force, 'Thought You Said'? Or Timbo's triumphant return to Aaliyahville on the Keri Hilson-featuring 'After Love'? Or the stunning Rich Harrison-produced Puff and Mary J collabo, 'Making It Hard'? I hope so. Shit is just as good as 'One Thing' or 'Crazy In Love' were the first time you heard them.
Now, it's often said that these are great songs but they'd be a lot better without Diddy, or with a different rapper - but really, would they? What rapper would do a better job with 'Making It Hard' than Diddy? Please don't say Wayne. He'd take these songs on a totally different direction, that, while potentially interesting, would ultimately ruin them, turn them into just another bunch of Wayne features. Luda, the ex-go-to guy for this type of shit, can't rap anymore. (Ross might be interesting though, as he's the only big-name rapper around who kicks love raps as opposed to sex raps, and these are love songs.) And on a serious note, there's an interesting dialectic going on between the professionalism of the vocalists and Diddy's amateurish raps that I like. Just as Kanye's godawful singing works for some people because his being lost and all off-key musically mirrors, in a way, the content of those songs, Diddy sounds like he's genuinely trying to work out some shit here. The Keris and Mary J.'s and Keyshias and Brandys give him a soundtrack over which he can do that. Unlike Kanye though, who, while he's bleating into autotune, still tries to maintain this air of artistic superiority and pseudo-profundity that's totally unearned, Diddy's just real humble and unguarded on these songs. The outro on 'Making It Hard,' where he talks about meeting Kim for the first time, is this genuinely touching shit, and that's really shocking coming from a douchebag like Diddy. Press Play: half bizarro rap record, half In The Wee Small Hours.
5 comments:
Really enjoyed the post. if only for the fact that it reminded me that there exists a record that contains a line as ridiculously fantastic as "He pops shit like needles in cow manure balloons" (who wrote that btw?)
I think Diddy despite his achievements will always have this 'not an artiste, just a brilliant entrepreneur' stigma attached to him. Maybe rightfully so too, but then most of us will eventually sleep on those great moments where he plays his cards absolutely right.
t.i. should ghostwrite for diddy more often, cliff's arrogance suits diddy well.
on paper, the production really is pretty great. he should have bought all the songs common made for UMC and rerecorded them in autotune. seriously, instant hits.
I didn't listen to UMC but I imagine some of those could work for Diddy.
"He pops shit like needles in cow manure balloons" (who wrote that btw?)
monch did it. that's a line that only works coming out the mouth of the guy who had a sense of where the verse was going, otherwise it just sounds ridiculous.
so is 'press play' the greatest ghostwritten album ever, or will that require a greater survey?
Um, what about The Chronic? Of course, probably a majority of the rapping isn't even done by Dre, but still. Also, Eazy's first album is a near-classic, and I suppose Lil Kim's first album isn't bad. Oh, and of course Efil4zaggin is two thirds ghostwritten rapping.
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